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Seven Days Blogs: Solid State Music Blog

Friday, May 09, 2008

Do You Kids Like The Rockroll Music?

Well, do you? I know I do. And tonight there's a particularly potent evening of rockin' on tap in a space typically reserved for mellower and indier fare, Radio Bean.

Now don't get me wrong. I dig the singery-songwritery stuff too. And I loves me some pretentious indie shit from time to time as well. But sometimes you just gotta feed the need for pure, unadorned ass-whoopin' rawk. Enter Empire State Troopers.

I was actually introduced to EST by Josh Schwartz from False 45th, who, coincidentally, is quoted on the band's MySpace page. Here's what he has to say on the matter: "One of the most obvious elements to EST is the powerful chick singing of Kelly Murphy. A force to be reckoned with, Murphy seems to be on a tear in every song. If the band is a '71 Challenger, she's the bottle of Super 104 Octane Boost." Well played, sir.

Murphy, to borrow a line from Wayne's World, wails.

The timing of the show is a tad unfortunate since there's a whole lotta rockin' going on tonight with Amadis, Made In Iron and Arkain playing at Higher Ground's Showcase Lounge and the debut of Jesus Vanacho at Nectar's. But the show starts at 11 p.m. — with opening support from the deliciously named Che Guevara T-Shirt — so as Josh suggested in a recent e-mail, perhaps you could consider the show as a Metal Night Afterparty. Works for me.

Have a great weekend!

Friday, May 02, 2008

Hold me closer, Tony Danza!

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So I'm sure you've all heard that Sir Elton John is coming up to Essex this summer.

Bizarre? Yes. Awesome? Also yes.

Tickets have been on sale since 10 AM this morning, and I don't know about all of your places of work, but Seven Days has had a few staff members tied to their computers for the better part of the morning. My friend Lani over at the Flynn photographed some of the Queen City's more dedicated fans lining up as early as 5:30 PM LAST NIGHT.

You can check out all the action on the Flynn Center's blog right here.

And did you know that with this concert, Sir Elton will have officially appeared in all 50 states? Yep. No longer sharing rank with George W. is sure to make the performer happy.

Monday, April 28, 2008

Workers Benny!

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I just got a phone call from the Vermont Worker's Center and wanted to quickly fill you all in on an event happening... TONIGHT!

Today is Workers Memorial Day, and to commemorate the occasion, the Vermont Worker's Center is holding a benefit at The Monkey House. Yep, that's right. Ryan Smith is very quickly becoming the community host to all good causes.

Workingman's Army will be performing, along with the new Vermont Workers Center labor chorus. I have no idea what that is, but it definitely piques my curiosity!

Door cost is simply a donation of your choosing, and the event is 18+. Everything starts at 8 PM.

It's been a busy week for the Vermont Worker's Center, with their 10th Anniversary dinner last night in Barre. I might try to swing by tonight, but if I don't make it, good luck to the cause!

Wednesday, April 23, 2008

The morning after...

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You know that line from Dazed and Confused when Matthew McConaughey explains his taste in girls? "That's what I love about these high school girls, man. I get older, they stay the same age."

The same is true for ska fans.

Last night's Higher Ground show was awesome, just as I anticipated. What I didn't really expect was that 90% of the room would be younger than me. I last saw Reel Big Fish in 2002. My friend Eric last saw them in 1998.

"Once a decade," he told me. "That's my new policy."

But I guess the age of the crowd helps to explain the band's staying power. Even as their original fans grew up — and in many cases, grew out of them — Reel Big Fish continued attracting the prime music buying audience: teenagers.

An audience that also appreciated local act Husbands AKA. The kids even opened up a mosh pit for the boys! Although, none were able to respond to Chris Valyou's request to buy shots for guitarist Sean Fitzpatrick's birthday. Because of the x's on their hands. Oh well.

Really the most impressive part of the night (RBF set included) was Husbands AKA singer Dylan Burns' performance, despite having been burnt in a fiery blaze the day prior.

No, seriously.

During some routine motorcycle maintenance this past Monday, Dylan was met face to face with a fireball. But even with bandages covering his arms and scalp, and sunglasses to shade his swollen eyes, Burns put on a spirited show, leading high energy choruses about trustafarians as well as ever. And complete with some new "sleeves" tattooed onto his bandages! My favorite read, "RUGGED".

Yep, that's my husband for you!

No, just kidding. Despite the name we're not actually related. That I know of.

Anyway, congrats to the boys for rocking Higher Ground. And if any of you see Dylan around town, don't forget to ask him how he's doing. And maybe buy a CD from him. And then tip him to help fund a new ride.

Any of you who missed the show can catch a (much more affordable) version this Saturday at ECHO. Dan went into more detail about the other acts in this week's column so check that out here. It's not the only good thing happening this weekend though. I also highly recommend the State Radio show at Saint Mike's (SMC students only), and Tick Tick's Stereo Warm-Up dance party at the Monkey House. This month features DJ Llu, David Goliath, Baby Bantam, and everyone's favorite, Mike Device.

I will be missing all of the above for Passover in Northfield so go yourselves and fill me in, ok?

Ok.

Tuesday, April 22, 2008

Fishing for Husbands

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Is everyone heading over to Higher Ground tonight?

In case you weren't aware, hometown newbies Husbands AKA will be playing! And while it's always a big deal when a band plays its first big HG gig, Husbands decided to skip the Showcase Lounge and go right for the Ballroom.

Why?

Because they're opening for Reel Big Fish.

Yup, everyone's favorite ska-punk band is coming to Burlington. And what better local group to open the show than our own ska-inspired outfit?

Word is that over 400 tickets have sold so far, so you better grab yours this afternoon if you plan to attend. The price (now $18 on the day of) is certainly steep compared to Husbands' usual shows at the Monkey, or Wasted City, but I for one decided I couldn't miss tonight's ultimate high school throwback. Well, technically middle school for me, but you know.

Speaking of middle school throw backs, did you hear who's playing HG tomorrow night? Hanson. Yep. And if you think the price of tonight's show is steep, don't plan on tomorrow. At $30 a ticket, I'm interested to see just how big a crowd those perfect coifs still draw.

Really I wish Husbands AKA was playing their gig tomorrow instead of tonight. If only for the chance of partially recreating this:

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Photo courtesy of Tyson Valyou.

Wednesday, April 16, 2008

Remember me?

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Oh well hellooooo there, Solid State!

Whew! What an absence, eh? Who the hell am I, Dan Bolles?*

At the risk of giving you all a little too much information, let's just say that I've been busy... redecorating. And for the first time in over two weeks, I can say with confidence that things are looking better. What a difference a fresh coat of paint makes!

My "redecorating" has managed to not only keep me away from blogging, but also the local music scene, save for one special night out for my birthday. Yep. I'm officially twenty-five. Does that mean my opinion now matters? I'm not sure. But it does mean I can rent a car, so I guess it's something.

That night I headed over to the Monkey (surprise!) for what I thought would be a nice mellow evening with all of my favorite people, including Cannon Fodder. Instead of just dancing along to Paddy and the boys though, I also fell in love with a new musician.

It usually takes me much more than just one live performance to determine whether or not someone's music is to my liking, but that night at the Monkey, I fell head over heels for the music of Nathan Moore. Which, in case you hadn't noticed, much of Vermont already has. Case in point: Moore is the cover of the current issue of State of Mind.

That Monday was another night in the singer-songwriter series that Cannon Fodder has organized. Basically, they invite a singer songwriter to play a set, then they get up and play a set, and then finally, the guest musician comes back on stage, and Cannon Fodder acts as their backing band. They've gotten some pretty impressive people to join them so far, and it has made for some really good shows. But this one blew the others out of the water.

The show opened with a set by Jess Clemons, who had a hard time quieting down the crowded bar. But when Moore took the stage, people shut right up. Not because his music was mellow, though. Just because he was so engaging. And intriguing. In that he sort of looked like the love child of Paddy Reagan and Kelly Ravin. Weird.

If I hadn't been so busy "redecorating" I would have sat down the next day and written a better description of what Moore's music actually sounds like. And then I would have told you to catch him at Honky Tonk Tuesday last week. Or at least tune in to hear him on The Radiator.

Luckily it's not too late to catch him in Vermont. This Thursday, Surprise Me Mr. Davis, which features Moore, will be playing the Showcase Lounge at Higher Ground. And guess who will be opening? None other than our boys, Cannon Fodder. I hear this band, which pairs Moore with Boston's The Slip, is an exploration of alter-egos. So the show will probably be quite a bit different from my birthday night. Then again, I can't remember my birthday night well enough to describe it to you, so what do you care if it's different?

Let's put it this way. I myself am putting on a show Thursday night, and I still felt the need to mention Nathan Moore's competing Vermont appearance to you all. Yep. The businesswoman inside me is SCREAMING right now. Let's calm her down with this: if Higher Ground isn't your scene, perhaps my bennie is. Steph, Maryse, Marie, Aya... the gang's all at the Monkey! 8 PM doors. $3. Money goes to Michelle's Earth Foundation.

Whew. Shameless self-promotion out in only one breath. I'm getting better.

My blogging is certainly choking though. Give me a break while I get my feet wet again?

*And as for the cheap shot, Dan, I am totally kidding. I actually suspect you might be on speed this week with the amount of writing and brand!spankin!new! online calendar stuff you're doing. I, for one, am not at all jealous of your work load. Just your celebrity status.

Thursday, April 10, 2008

The Jazz(wo)men Cometh

Last week in Sound Bites, I remarked that folks reading the paper the day it hit newsstands would be doing so while I was attending a press conference announcing the lineup and sponsors of this year's Discover Jazz Festival, and that it was a sure of spring. It seems I was only half right.

Since that column ran, the weather has been undeniably spring-like. Eat your heart out Tom Messner. Unfortunately, I got my dates mixed up. Last Wednesday, I strolled into the Amy Tarrant Gallery at the FlynnCenter only to "discover" . . . a completely empty room. D'oh! The conference was actually yesterday, not a week ago.

I did end up attending, and I'm glad I did. The food was really, really good. Oh, and the lineup is pretty sweet too.

In particular, there was a lot of buzz around an up-and-coming R&B singer named Ledisi, who was recently nominated for two Grammys — Best R&B Album and Best New Artist, the latter of which she lost to Amy Winehouse. Hailed by pundits who hail such things as a blend of Ella Fitgerald and Erykah Badu, Ledisi is one sultry soul siren, equally adept at delivering slinky R&B and smoky jazz. Should be a great show.

The following is a clip from her appearance on PBS' "Great Performances: We Love Ella!" There's kind of a lot of talking — and the second half of the video features jazz a cappella ensemble Take 6. But the music in between is a tantalizing taste of what we can expect in a couple of months. Enjoy!

You can check out the rest of this year's lineup here.

Tuesday, March 25, 2008

Cult Following

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I went to Maine for the weekend to see my family for a Saturday night Easter. While there, I also wanted to meet up with two of my best friends, each of which run in separate circles. After some wild games of phone tag, I was able to fit everyone in - dinner with my family, followed by beers and the Marquette game with Brian, followed by a Cult Maze show with Amanda.

[Yes, Amanda's name is linked, and yes, that is her on that album cover.]

It was the Cult Maze show that I was especially excited for - the band is native to Portland, but recently played the Monkey with local act Husbands and former local act, Pretty & Nice. They also played an even more recent show, also at the Monkey, that I was sad to miss. So I already knew I liked their music.

Plus, they were playing at The Space, my favorite Portland venue, and comparable to... well pretty much nothing we have here in Vermont. That is, unless any of you can name for me an alternative arts venue that serves as both gallery and music space and carries Pabst Blue Ribbon in bottles.

Yep, PBR in a bottle. If you thought there was no way to class up PBR, well, you would be wrong.

[Side note: My parents' friends Ted and Marty were on their honeymoon when Marty accidentally set her negligee on fire with her cigarette. Always practical, Ted grabbed the nearest bottle of PBR and put her out. I'm totally including that story in a novel someday.]

Amanda and I were running a little late, so we missed opener Baltic Sea, but luckily arrived just in time to see Cult Maze take the stage.

And imagine my surprise when they started one song with a shout to the audience, "THIS ONE GOES OUT TO WINOOSKI, VERMONT!"

They rocked it. The songs available on their myspace page are good, sure, (I especially love "Treble Treble"... probably because it sounds like a product of Saddle Creek), but their live show is just really amazing. Made all the more amazing by the fact that they were all wearing plaid flannel. GOOOOO MAINE!

And since a little scenester... errr... birdie told me that the band might be breaking up soon, you might want to make a point to check them out while you still have the chance. They're playing Friday April 4 at Geno's in Portland, and I just might make the drive.

On a totally different note, have you all read the recent interview with DMX regarding our presidential candidate-hopeful, Barack Obama?

It's... priceless. You can see a good recap here.

Tuesday, January 29, 2008

Bloggity Bloggity Bloggity

Whew! What a weekend.

Friday night, I finally got a chance to catch local ska revivalists Husbands. What a hoot! I won't delve too deeply into my impressions as you'll be able to read all about it in tomorrow's paper. But talk about a flashback. The band is still fairly new on the scene and as such are a bit rough around the edges. It's forgivable. I haven't been to a good ska-punk show in probably close to ten years and goddamn if it wasn't fun. The whole night kinda made me long for my saddle shoes and checkered suit jacket. Ah, memories.

Saturday night, I acted as a judge for the Higher Ground Comedy Battle. Again, you can read more about this tomorrow. But I have to say that I went in with fairly minimal expectations. Stand-up comedy is sort of like karaoke in that it's only fun if it's either really good or REALLY bad. For the most part, the 11 contestants fell in line with the former. Color me pleasantly surprised.

The winner was a 20 year-old creative writing major at Johnson State College named Roger Miller. Honestly, if this guy doesn't pack his bags and head for NYC after graduation, something is horribly wrong with the world. Dude was hysterical. I think my favorite observation dealt with port-o-lets at music festivals — part of a larger, equally funny bit about drugs, hippies and jam bands. To paraphrase, you know something is truly disgusting if it's too nasty to piss into. Indeed.

Sunday night, I had every intention of pulling the Higher Ground two-fer and checking out Neko Case. But sometimes life gets in the way of the best laid plans. Unfortunately, my girlfriend threw out her back skiing at Jay Peak — on her second run of the day — and I ended up playing nurse all night, which is nowhere near as fun as playing doctor. Whoa!

Anywhoo . . .

I'm not a huge Neko Case fan, but I was really looking forward to seeing Eric Bachman. I dug both of his old(?) bands — Archers of Loaf and, in particular, Crooked Fingers. But alas, no soup for me. I hear it was a pretty sweet show though.

However, I did find myself in a rather strange position on Sunday afternoon as it was the first Sunday with no football since September. I've never put much stock in the whole "Cabin Fever" thing. But I'll be honest: I was kinda losin' my shit. I would have settled for the Toronto Argonauts versus the Montreal Alouettes . . . seriously, the Alouettes? That might be the lamest name in professional sports.

The funniest?  A tie between former Detroit Lions defensive back Harry Colon and Arizona Diamondbacks pitcher Randy Johnson. And once again, I digress. 

Fortunately, my sports junkie fix came in the unlikely form a Chuck Klosterman article on ESPN.com. The piece deals with the New England Patriots pursuit of perfection with a win in this Sunday's Super Bowl and how the team's legacy — and more specifically that of quarterback/golden boy Tom Brady — would actually be more enduring were they to choke and lose. Essentially, the premise is that Americans, on the whole, identify with failure more closely than they do success. It's more humanizing to watch someone like Brady suffer defeat than it is to watch him continue to be virtually perfect. I think it's the same reason American Idol is still on the air — it's fun to watch people fail.

Though I vehemently disagree with his conclusion that Pats should lose, the argument makes sense. Frankly, Brady is a god among men. He's got model looks. He's the best player on the best team at the most high-profile position in sports. He dates one of the most beautiful women on the planet, Gisele Bundchen. And he recently fathered a child with another, actress Bridget Moynihan. If I didn't love him, I'd hate him.

Regardless of your interest in football, it's an intriguing read. Check it out. Except for you, Casey. I know how much you love Klosterman. And football.

Well, folks. That's all I've got for now. In the meantime, the story I wrote last week about teaching kids to play guitar using Guitar Hero has been getting some attention on reddit.com. And as a result, it's the second most popular story ever on Seven Days' new website. It's even prompted a snarky discussion about my work outside the friendly confines of Solid State. Neat-o! 

Tuesday, January 22, 2008

C-c-c-coachella

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I know all you hip kids are probably more up on this than I am, but in case you have not yet seen it, here's the official poster for this year's Coachella!

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As usual there are some bands I'd like to see, namely Tegan and Sara, Animal Collective, Cold War Kids, Death Cab for Cutie, and Akron/Family. But like every other year I will choose to pass on the cost of plane tickets plus concert tickets plus food, and lodging only to bask in a heatstroke-filled weekend.

Festivals really aren't my thing.

Still I find it kind of inspiring that out of my choice bands from the lineup, three have spun through Burlington in the past year. And some others that I'm less familiar with, I'm sure. Kind of makes you feel all warm and fuzzy about our little corner of the scene, don't it?

And for those of you who are festival people (i.e. in favor of heatstroke and opposed to showers), but just can't make the cross country trip, don't worry. Apparently the genius minds behind Coachella will be putting on an East Coast festival as well, later on in the summer.

Unfortunately for everyone, it is slated for Jersey.

Monday, January 21, 2008

Great Americans

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So apparently I'm in a band. Apparently.

Yeah. That soulful crooner in last week's Shot in the Dark really is me. Who knew that much diva lived inside a suburban choir girl, eh?

Let me back up and explain.

I have never known how to play an instrument. Back in fourth grade when I had the chance, I decided I wanted to play drums. Unfortunately, the school's band instructor decided I should play violin. My parents actually had to call the school before the instructor would concede to let me play the instrument of my own choice. By that point, I decided I had no interest in being in his band.

And so I sang instead.

But it wasn't until last weekend that I ever sang at a bar...

I have been attending shows of the various musical projects of Eric Carlson and Tyson Valyou since I moved to Burlington. No wait, since before I moved to Burlington. I remember arriving at my friend Erin's Vermont apartment for a weekend away from Maine only to be greeted by Pretty & Nice set up to play in the living room.

So when they told me they were starting another band, it was no surprise.

And when they asked me to sing in it and I agreed, I never for one second took it seriously.

That is, until I called Tyson the following weekend on my way home from Jazzercise and asked what he was up to. When he told me he was loading his drums into the Monkey I said, "Why? Are you playing tonight?"

Which was when he informed me that WE were playing that night.

Um... what?

For those of you like me, who have never had the balls to sing in a bar, listen closely. The secret, it seems, is to chug two tallboy PBRs during the time it takes to study the provided lyrics sheet, and BAM. That stuff is like Mariah Carey in a can.

Lucky for me the songs were all my old choir favorites: "Going to the Chapel", "Build Me Up Buttercup", and everyone's favorite, "American Music".

And also lucky for me, I was not the only one singing. I was one of four. Or five.

Which was truly a gift since it was my first experience with a monitor and I didn't know enough to ask anyone to turn it up. As in... I'm pretty sure I visited every key, including the correct one, during my short flirtation with songstress.

I can't guarantee Tyson and Eric (and all other... oh, thirty-five members of the band) will invite me back to sing again, but I'm still totally grateful for that one night.

Because for the first time since the fourth grade when both the band instructor's and my own stubbornness deemed me choir-bound, I GOT TO BE IN A BAND!

Friday, November 23, 2007

A Call To Arms, er, Amps!

Happy Black Friday, Solid State!

I know we're still getting to know each other, but could you guys do me favor? This letter just came in a few minutes ago and it concerns everyone's favorite West African "Warrior Poets," Tinariwen. Read on:

Hi all:

I hope everyone had a lovely Thanksgiving. I’m gearing up for the Tinariwen concert on Monday, which will surely be an amazing event. The band needs a number of guitar amps, and before I try to rent them, I wanted to see if anyone in the area was willing to lend us any amps from the below list that they may have in their possession.

Imagine, you can tell all your friends that a rebel, nomadic, Touareg, electric guitar star used your amp! Now that’s a conversation starter, don’t you think?

Here’s what we’re looking for. Let me know as soon as you can if you or someone you know would let us borrow any of these. We’d need them by Monday afternoon and could bring them back in perfect shape the next day.

- 1 x Fender Twin Reverb OR 1 x Fender Deluxe
- 2 x Roland Jazz Chorus JCM 120.
- 1 x Trace Elliot Acoustic TA100R
• 1 x 1 Bass Amplifier – Combo type Ampeg or Trace Elliot.

Thanks for your help, and I look forward to seeing you on Monday!

All the best,

Jacob Edgar
Cumbancha

Anybody?

You can reach Jacob Edgar at jacob@cumbancha.com.

Good Luck, Jacob.


Tuesday, November 20, 2007

Ask, And You Shall Receive . . . Occasionally

Have you folks been outside yet? Ugggh! What an absolutely shit-tacular morning. It's the kind of morning I wish I was a bear so that I could just sleep for the next six months and miss this whole "winter" thing altogether. Is it snowing? Is it sleeting? Raining? Yes! No. Sort of. Whatever it is, it's cold. And wet. And windy. It's the unholy trinity of Burlington weather. Go to to hell, Tom Messner.

OK, now I feel better. There's nothing like directing your rage at an innocent bystander to soothe the demons inside. And no, I don't really want Tom Messner to go to hell. Just his Super Duper Doppler 9000 1.21 Gigawatt radar.

Anyway, a couple of posts ago, semi-frequent commenter, Thirtyseven, asked, "Can we just focus on how profoundly badass Tinariwen are?" At the time, the discussion had taken on a life of its own and it didn't really seem appropriate to change course midstream. But since he was the only person who commented on my last post, I figure, "what the hell?" So Thirtyseven, this Bud's for you.

As Thirtyseven — a handle which, oddly enough, is not a "Clerks" reference — pointed out, Tinariwen are, in fact, profoundly badass. Leading up to last week's e-mail interview, I honestly didn't know too much about them. World music has historically not been my bag, so my working knowledge of the genre was fairly limited. But digging into the band's back story is like reading a "Choose Your Own Adventure" novel. Except that it's real and infinitely more dramatic, laden with powerful imagery of exiled young "poet warriors" wandering the Sahara desert, rifles in one hand, guitars in the other. Their tale is not your typical band bio.

In short, the band was formed as a result of the bloody Touareg rebellion in the West African nation of Mali. Tinariwen's founding members were recruited into Colonel Ghadhaffy's military camps in Libya, lured by false promises of liberation. In response to Ghadaffy's lies and an entire region thrown into tumult, Tinariwen became the backbone of the underground Touareg resistance, funded by its leader, Iyad Ag Ghali, who provided the band with instruments an rehearsal space.

Their music, despite never being overtly political, became the soundtrack to a rebellion, serving as inspiration to thousands of disillusioned Touaregs. My favorite bit of imagery in their bio is of the "cassette tape to ghetto-blaster grapevine" through which their early recordings were distributed. Talk about file sharing.

If you're unfamiliar with Tinariwen, do yourself a favor and check out their full story.

In the meantime, here's a video sent to me this morning from a Left Coast gentleman named Matt Wright. Matt handled some of the more interesting indie bands in Portland, OR, many of whom (Horse Feathers, Alela Diane, et al.) have begun to frequent our frigid Northeast hamlet. Apparently, he's now living in San Fran and is involved with Tinariwen in some capacity. This vid is kind of a glorified commercial, but it does have some decent live footage. Enjoy!




Friday, November 09, 2007

Is it Miller Time Yet?

I really am a dumbass.

All week long I've been promising a glowing review of last Tuesday's GWAR throwdown at Higher Ground. Here we are on Friday afternoon, and I got nuthin'. Unfortunately, I can't find my camera and thus, have no visuals to go along with with my awed ramblings about Antarctica's finest metal band. If you've ever seen them, you know that their stage show is virtually unparalleled. As such, no worthwhile review is complete without some fetching pics. Alas, I have none until I figure out where the hell my camera is.

However, I will say this: for the last several nights, I've been having the most vivid cartoonishly violent nightmares imaginable. Plus, my ears only stopped bleeding yesterday. Thanks GWAR!

Anyway, I wanted to take this opportunity to relay an item that didn't make it into the paper this week, mostly due to space issues.

Electronic dance music fans will want to head up the hill this Saturday and check out Elixer at The Grand Maple Ballroom of UVM's newly minted monstrosity, The Davis Center. The show is free and will feature some of the area's finest DJ's. They are:

Matt Joseph: Matt has a weekly radio show on Montreal's www.Techno.FM, a bi-monthly radio show on www.DeviantAudio.com from Norway and is a rotating DJ on one of Australia’s biggest dance music FM radio stations, 91.5 KIK FM
DJ Haitian: Haitian is one of the most popular local electronic music DJs. He is part of 2kdeep, and basscamp.
Vasilis: Vasilis is one of WRUV’s most popular electronic music DJs.
MDE: Miles Ewell a.k.a. MDE is one of the most talented hip-hop producers in the area. Expect the unexpected from this live keyboard/DJ set performed alongside Matt Joseph.

I don't know too much about most of these guys, but their cred is impressive. MDE, however, did some spectacular work as the the producer on local rapper Matty C's latest disc. If you like to boogie . . .

That's about it of now. I leave you with this vid of Romans, from the inaugural show at Wasted City Studios:

Swayze Express! at Wasted City

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Have a great weekend!

Monday, November 05, 2007

Out On The Weekend

Howdy, Solid State.

It was a pretty sweet weekend, music-wise. I didn't make it out on Friday night, since I wanted to save my strength for the birthday marathon at the Bean. I'm glad I did.

I wandered into the cozy coffee house on North Winooski around noon and despite already having downed a few cups of coffee, refilled my trusty travel mug and pulled up a cushion in the corner nook by the door. Prime real estate, to be sure.

The Cleary Brothers were about mid-set by the time I sat down and had a packed house bobbing to some delicious fiddle tunes. The dance floor — if it can really be called that at Radio Bean — was overflowing with toddlers awkwardly gyrating and bouncing into one another. Good clean family fun!

Which brings up one of my favorite things about little kids; they always seem drunk. They have yet to fully master the subtle intricacies of balance, tend to speak in garbled gibberish and often times get a little too grabby. Just as I'm sure many of their adult counterparts were later in the evening. Unfortunately I didn't make it back to the Bean for the evening session to find out as the lure of cheap pitchers at Esox was too much to overcome. C'est la vie.

I did, however, stick around for a healthy chunk of the afternoon and was treated to some really great stuff by a number of acts I'd yet to see during my tenure at Seven Days.

I've been trying to catch Nose Bleed Island for months but sadly, the scheduling has never quite worked out. Though lacking the full band, Joey Pizza Slice managed a delightfully quirky — and PG — little set featuring a few of my favorite tunes from NBI's last disc. I'd heard rumors that the band wasn't doing live shows until next year, but lo and behold, they're playing this Wednesday at Higher Ground. Sweet.

The Fatal Flaws — or 2/3 of them, anyway — served up a brief set of garage rawk that likely would have been better received later in the day/evening. Through no real fault of their own, a healthy portion of the kid-heavy crowd left amid a cacophony of distorted guitar and drums. It's too bad, since James Kochalka joined the band for a tune midway through their set. Despite having publicly called for both Casey and my heads, I've got no ill will and imagine their upcoming "Punk Soiree" at Red Square this Sunday will be more reflective of the band's true nature. A word of caution though: If you go, don't show up late . . .

I hadn't caught local indie chanteuse Marie Claire in quite a while and was stunned by how much she's grown as a performer and songwriter since the last time I saw her — not counting playing Patsy Cline to Brett Hughes' . . . um, Brett Hughes at Honky Tonk Tuesdays. In particular, her vocal control has really matured. She's always had great pipes, but it seems she's discovered how to use them tastefully. She certainly has the ability to pull off the diva thing, but wisely chooses to let her songwriting do the heavy lifting, favoring controlled flourishes over heavy-handed wailing. If you haven't seen her lately, I'd recommend it.

Following that, alt-country heartthrob Lowell Thompson played an unscheduled two-song set which Bean-proprietor Lee Anderson dubbed "the best he'd ever heard" the singer play. I'd have to agree. Like Marie, Lowell is truly coming into his own as a songwriter and singer. And as my girlfriend never fails to point out, he's soooooo dreamy . . . ahem.

Anyway, it was a great afternoon spent at one of my favorite spots in town. Here's hoping you folks made your way down at some point during the day to pay your birthday respects. If anyone caught the night sets, please chime in. I'd love to hear about it.

Now if you'll excuse me, I have a few small animals to sacrifice before tomorrow night's GWAR show at Higher Ground.


Thursday, October 18, 2007

Throw Another Blog on the Fire

'sup? (head nod)

Sorry 'bout that. I'm preparing myself for tonight's fifth and potentially final game of the thus far catastrophic Red Sox-Indians ALCS and need to get into full-on "dude" mode. I know you folks hate when I talk about sports, but does anyone else think the Cleveland fans bedecked in cartoonish red-face is just a bit offensive?

92950e2c662547bf8806edcfb242db60 The debate over whether or not it's acceptable to use Native American stereotypes and imagery in sports is nothing new, but this is ridiculous. Why not just write something like "We Have 'Reservations' For The World Series" on the sign to complete the ensemble? As if I needed another reason to hate Ohio. Sigh . . .

Anyway, the real point of this post was to direct you toward Eva Sollberger's "Stuck in Vermont" Vlog. Her latest effort is a nifty video from last weekend's Gogol Bordello show in Montpeculiar. I was all set to espouse my own thoughts on the evening, but then Eva went and rocked my world and pretty much said it all. Check it out.

I will add this, though. The last time I saw Eugene Hutz perform was with The Fags at Club Toast in front of maybe 30 people. That had to be a good 10 years ago. To see him now, holding a crowd of 800 people in the palm of his hand, was remarkable.

At the moment, Phish and Grace Potter are the biggest things to come out of Vermont. By the time he's done, it might just be Eugene Hutz.

Tuesday, September 25, 2007

Break In News!!!

This just in:

Eclectic experimental-pop outfit Akron/Family was just robbed in Toronto while on tour with Megafaun and Burlington's own wizard of weird, Greg Davis. Apparently a number of pieces of equipment were were stolen from their van including two guitars, a minidisc recorder and — eerily reminiscent of Gordon Stone's recent debacle — a banjo.

Thankfully, no one was hurt and the band plans to continue it's tour, including Thursday's gig at Club Metronome.

Read Pitchfork's report here.

Monday, August 27, 2007

Grande Non-fat Low-Caf No-Whip Live Music Latte

Like Dan, I’m not so much a Starbucks girl as I am a Speeders girl.

And oh right, I’m not Dan. Maybe I should have started with that.

Hi. Bridget here. Seven Days office manager extraordinaire, and owner of Wyld Stallions Records, that little label that networks strictly at the OP and perhaps made a blip on your radar a year and a half ago when we released “Caring is Knowing: A Compilation to Fight AIDS in Support of Vermont CARES”.

Oh, the AIDS girl?  you say.

Yeah, right, the AIDS girl. Anyway.

Despite generally avoiding non-local coffee chains, and currently being so busy with an upcoming WSR release that I haven’t even made it to PBR pitcher night in over a month, I couldn’t resist when Dan approached my desk a couple weeks ago and asked if I could fill in for him as a guest judge at this past Thursday’s Starbucks Music Makers Competition down on Church Street. Much like I couldn’t resist when Internet guru Cathy Resmer asked if I might like to write about the experience. Not because of the ego boost each would provide me with, but more for the boost to my parents’ egos. And the one-up it would give them on all the other bragging parents at the end-of-summer cocktail parties in Kennebunkport.

(Did I mention that my aversion to Starbucks stems directly from my yuppie upbringing?)

I could just picture it.

You know Bridget? Our troubled middle child that doesn’t wear Lily and hates Republicans? Well you’ll never believe it, but she was recently chosen as a guest judge at the Starbucks new music competition!

And so that was how I found myself sitting in Starbucks on a rainy Thursday surrounded by seven bands and with more free coffee drinks on the table in front of me than I care to remember. The process was fairly simple. Each act would play three songs to be judged in the following categories: Originality, Lyric, Melody, Vocal Presentation, and Stage Presence. Each category could score as high as ten points. At the end of the set, add up the categories for each song, add the song totals, and you have a total act score out of 150 possible points. The winner would head to Boston for the finals, and the winner of that competition would be rewarded with two days of studio time and a professional publicity / radio campaign, among other things.

Going into the competition I was under the impression that all seven acts were Vermont bands. In reality, artists came from all over the east coast, which only broadened the musical ability and genre variety. It helped that Internet voting would count for one fifth of the final decision, but it was definitely tough to draw comparison between long-haired back-woods banjo-playing Bow Thayer and local Strangeways Recording protégée, Zac Clark. Luckily Middlebury College Radio Business Director, Ward Wolff and I (plus the traveling Starbucks-employed judge) had our handy score sheets to help us break things down.

The seven bands (in no particular order because I can’t remember it) were as follows: Lucy Vincent (local!), Meagan Walsh (local!), Chris Colepaugh, Laura Vecchione, Zac Clark (local!), Kaiser Cartel and Bow Thayer (local!). With the odds working in Vermont’s favor, I thought for sure we’d take the prize.  Ironically, it was Brooklyn’s Kaiser Cartel, an eccentric duo made up of Courtney Kaiser and Benjamin Cartel that walked away with an all-expense paid trip to the finals in Boston. Actually, I don’t know if it’s an all-expense paid trip. That just sounded right.

I think it was their originality and quirkiness that got them my vote. Anyone with a xylophone has to get extra points, right?  And when the two of them whistled together during their second tune, “Season Song”, they definitely melted a little piece of this sap’s heart. Enough so that I was able to overlook their sometimes-cheesy lyrics and lack of stage presence, to instead concentrate on Courtney’s incredible vocal range and their undeniably catchy melodies.

Plus, the Starbucks judge informed me and Ward, They won the Internet vote by a landslide.  Like, a big landslide.

And so off to Boston they go, joined by Vermont’s Bow Thayer, who won our wild card vote based on his charming Americana-style lyrics and laid back stage presence. 

And banjo.

But what about those other acts? Well, I have to admit that out of the younger more local musicians, Lucy Vincent scored remarkably high with me. A high score that surprised me, actually, because to be perfectly honest, starting your song with a flute jam is no way to win me over. But their stage presence was adorable, they kept my foot tapping, and I had already fallen in love with singer Kelly’s vocals at an acoustic show earlier in the week held at the Monkey Bar

Plus, they called the judges sexy. 

I left the competition with a better appreciation for what Starbucks is trying to do. At least in this one small slice of their business. Their lattes might cost over four dollars, but the traveling crew in charge of the music competitions was crunchier than the Radio Bean. Their ripped jeans and hoodies somehow convinced me that this really was about the music, and not just another way for the ever-growing coffee empire to take over the world. And while I might be labeled a total corporate sellout for saying so, I think what they’re doing is actually a pretty cool way to help out starting musicians in need of a boost. Even if the CDs for sale by the register remain on the level of bands too huge to ever even play Burlington...

But who knows, maybe that’s just all the free swag talking.

Coffee, anyone?

Wednesday, July 11, 2007

Oooh! Pretty Pictures!

I promise this will be the last Wilco-related post for a while. I'm sure there must be some other stuff I can blather on about.

Anyway, Ben Hudson — a talented up-and-coming photog and all around good dude — took some pretty nifty shots at the show and I thought y'all might like to see  'em.

Here you go:

AT THE REQUEST OF STATE OF MIND MAGAZINE, THESE PHOTOS HAVE BEEN TAKEN DOWN. YOU CAN STILL SEE THEM HERE.

                                     
Tune in later for a rant on steroids!

Monday, July 02, 2007

Happy Birthday!

Ask and you shall receive, Ari and Casey.

Unfortunately, I'm quite under the weather at the moment, so I'm going to print a snippet from my upcoming SoundBites column, rather than rehash what I've been writing all day. I know this is totally cheating, but it's my party and I'll cop out if I want to.

Think of it as a sneak preview! And don't say I never gave you nuthin'.

So it was that I found myself at Shelburne Museum last Friday, seeing my old friends for the first time as professional music writer.
    If you’re looking for a hard critique of the show, stop reading right now and go pull up Pitchforkmedia.com on your web browser. I’m sure they have plenty of self-important, hipster-chic ramblings on the decline of Wilco. I’m just not gonna be that guy.
    Are they dad-rock? Sure. Whatever. Is Tweedy’s post-rehab songwriting a bit blunt and clumsy? Absolutely. But does the new incarnation of the band still rock? You’d better believe it.
    Wilco tore through a full set and two encores sounding as vital and inventive as ever. Avant-guitarist Nels Cline not only faithfully re-created his precious work from the new disc, but added flourishes and melody lines that breathed new life into a slew of songs across the band’s hefty catalogue. “Shot In The Arm” from Summerteeth was especially impressive with Tweedy’s new toy at his side, as was Yankee Hotel Foxtrot’s “Jesus, etc.”

Hopefully that will get ball rolling. Tomorrow, I'll be happy to debate you all on the relevance of Wilco. But for now, I have to go back to bed and feel sorry for myself. Happy birthday to me . . .

Wednesday, June 20, 2007

The Skinny

Have you ever been to a show that was so incredible you wanted to call everyone you know and berate them for not being there too? Living in Burlington, this is sort of a rare circumstance — not because performances around town are rarely good, but rather that nearly everyone I know usually attends most of the better shows in the area. Thus, it's always somewhat surprising to be at a venue in Burlington and not see at least 10 people I'm familiar with. Such was the case last night at the newly-christened crepe cafe, The Skinny Pancake.

If you've been following the bouncing ball through the music section lately, you might have noticed that I've developed something of a love affair with Portland, OR's Horse Feathers. Folks who are familiar with my past musical endeavors know that I'm a sucker for melancholia. If it's sad and pretty, I'm probably gonna love it. Perhaps that explains my crush on Feist — well, that, and she's totally hot.

Anyway, the group headlined the SP's inaugural show last night and, quite frankly, blew my fucking mind. I've been enamored with their album since it mysteriously appeared on my desk a few weeks ago — at that point there was no scheduled gig in B-town — and was floored to find that their live performance is even more intimately affecting than their stunning debut.

If you were to spread pancake batter on an over-sized griddle, sprinkle in bits of Nick Drake, a dash of Elliott Smith and smother it with sweet Hem syrup, than you, my friend, would be eating a tasty Horse Feathers crepe.

Wow. That might have been the worst analogy I've ever written.

In any event, if you're into sad music, do yourself a favor and check this band out. And if you're hungry, you should swing by the SP and check that out too. It's a nifty little joint.

Oh yeah, I almost forgot. Local freak-folkie, Austin Sirch, opened the show and was terrific as well. I'd never seen him before and was totally impressed. So much so that I'm going to mention he's playing Exposure on WRUV tonight. Tune in.

Oh shit. I also forgot to mention that the lovely folks a Tick Tick put the whole thing together. Nice job, guys (and gals).

Wednesday, April 11, 2007

Backing up.

There must be something in the air. Over at Candleblog, a couple of pals are engaged in a frisky debate about a proposed Blogger Code of Conduct. Murf from False 45th and I are having a back and forth about the validity of backing tracks in live performance. I'm not sure I'd call our exchange a debate I have a feeling we'll end up making nearly the same point.

But I wanted to put the question out there to the rest of you. When does the use of triggered accompaniment become sonic chicanery?

Here's a helpful list of hipster-approved acts who engage in the practice (partial source: Wikipedia). Not that I'm trying to influence you or anything:

The Album Leaf

Death Cab for Cutie

The Go! Team

Mogwai

Ratatattat

And so on.... I'm sure you guys can come up with more. No diva-hop or club-tronica, please.

Tuesday, February 20, 2007

Still feelin' the Youth.

Like kids scrambling to get their book reports finished in study hall, Vermont bloggers are in a mad dash to report on last Sunday's Sonic Youth show. Well, a few of 'em, anyway.

The Le Duo likey.

Spitting Out Teeth is still workin' on it. UPDATE: Here it is.

Highgate approves.

Eva Deadbeat got her noise on; she'll vlog about it later. Now!

Suspiciously MIA are False 45th and OutrageousChaos. I didn't see them at the show, but then again, I didn't look.

I'm feeling oddly social; maybe I should lay down 'til it passes.

Monday, February 19, 2007

Things we can agree on.

Saw the Sonic Youth show at Higher Ground last night. It was fun. I wrote about it a wee bit in my Seven Days column for Wednesday, so I probably won't be getting into it here. If you're a blogger who attended the show then scribed about the experience, let me know, and I'll post a link. Jay, you better finish writing up your report!

Man, winter is kicking my ass! First the superstorm, and now the frigid temperatures. I'm cursing my ancestors (well, not really... I don't like inviting supernatural torment) for ever settling in the cruel Northeast.

Panda_bear_person_pitch Look again at the title of this post. Now listen to these new tracks from Panda Bear's upcoming album, Person Pitch.

Panda Bear — "Take Pills"

Panda Bear — "Good Girl/Carrots"

Aren't they great? I thought I was burned out on Animal Collective side jamz, but this record is delicious through and through.

You can buy that sucker on March 20. Make sure you do; Panda deserves yer monies.

If the label, Paw Tracks, has a problem with my posting these MP3s, they can send an ancient curse my way. What was it I said about inviting supernatural torment? Perhaps they should just tell me to take 'em down. Or not.

Tuesday, November 21, 2006

Guest post!

Today's post comes courtesy Bob Kilpatrick, our brand-spankin' new web development guru.

He went to last week's Los Lobos show, and wrote about it for your pleasure. He also took some sweet pics. It's definitely nice to have another voice on this page besides my own cranky one. But look for my full report on the Brian Wilson show soon...

PS: I did my first stand-up routine last night. More on that later!

Los_lobos_1_1

Los_lobos_2

Los Lobos rocked, but I’m getting ahead of myself. My wife and I arrived about half way through the opening band
Matt Mays & El Torpedo. I hadn’t read Casey’s review of their new CD at that point, but his comparison to “Rick Springfield recast as a heartland rocker” rings pretty true, especially if you throw in a little Billy Idol lip curling and teen angst. They were quite good and the crowd really enjoyed them. I could see them going pretty far if they got the right breaks.

The crowd had a certain vibe; they were wound up like a bunch of fourteen year-olds out for their first show without the folks. Actually, it was quite the opposite: the audience was composed of 40+ folks who had escaped the kids for the night. My wife was only too gleeful to point out how neatly I fit the demographic.

Los Lobos took the stage like a bunch of old guys who had ridden too farand too long that day, but their music was tight from the start. The crowd nodded and danced and clapped from the beginning. It wasn’t long before the band broke out in smiles. Their lead singer said “Thanks, we really needed this tonight.” We were only too glad to oblige.

Towards the end of the evening they brought up a group of women from the crowd to dance on stage. As they twisted and shouted I really wished their teens were there so I could have seen their mortified faces.

The evening hit a crescendo with a cover of the Grateful Dead’s ‘Bertha’. I always feel bad when a band gets their best reception from covering someone else’s material, but everybody, band included, was having such a good time who really cares.

All in all a good night for this old web head.

Friday, November 17, 2006

Off to see the Wilson.

Brianwilson_1Time for a road trip to hear some angelic pop music. But I think I'll listen to metal on the way down. I need some extra oomph today.

See you Sunday night at the James Hunter show, right?

Tuesday, November 07, 2006

Acoustic Journey.

Finally made it to one of the Greg Davis-hosted shows at Green Door Studio last night, and it was lovely. Three fine acoustic guitarists in an intimate setting — perfect for a late fall evening.

Here's the recap.

Berkeley, California's Sean Smith opened up the show, and he was by far my favorite performer of the night. Some guys are just meant to play the guitar, and he's one of 'em. Full red beard, long hair, longer fingers, and a sly but friendly demeanor well suited to the intricate and whimsical tunes he played. I'm a big fan of the Canterbury prog sound and British Isles "druid-folk," and Smith's style bore that imprint. A steel-string weeeeezard! I even bought his disc. Well actually, Brooke bought it for me, as I'm totally broke.

I had Matt Baldwin pegged as a not-entirely reformed metalhead right out of the gate. Guess we can smell our own. It wasn't just because his opening song featured lyrics from Judas Priest's first record. Something in his spidery fingerstyle was agitated and ever-so-slightly cruel. Once you start down the Dark Path, forever will it dominate your destiny, a wise muppet once said.

I'm about to confess a major heresy here: I'm not a huge fan of the late John Fahey. I appreciate him as a visionary of folk music, but his dark and stumbling (not to mention grindingly repetitive) chord clusters just don't have it for me. As previously mentioned, I prefer a crisper acoustic sound with more high-mids and a gentler touch. My fave semi-trad guitarist is Davey Graham, who nicely blends mystical English stuff with American rag and Indian raga. Do check him out.

The last picker, Glenn Jones, was a close associate of Fahey's. The influence certainly shows. Actually, Jones is technically superior to his friend/mentor. His set was full of charming and humorous asides, making for a truly warm experience. It was cool to be in the presence of someone who'd obviously lived a real journeyman's life. Glad to know those kinds of fellows are still out there making musical magic.

I'd post pics, but I don't have a camera! If Greg sends me some, I'll gladly put 'em up.

Thursday, November 02, 2006

Hoofin' it.

1_3
Deerhoof's Satomi Matsuzaki.

Last night's show at HG was wonderful. Good crowd, too.

I hadn't seen The Cush on a proper stage in awhile, and it was great to witness them in full flight. Their blend of Spaceman 3-style psych and Sonic Youth-gone-krautrock jamz is only becoming more realized. A fine set.

Deerhoof: What can I say? A spazz delight. I secretly think that everyone loves this kind of stuff, they're just not exposed to it much. A truly joyous sound.

Fiery Furnaces sounded like Yes fronted by Patti Smith. Not as wretched as one might imagine.

Thursday, October 12, 2006

Missed opportunity.

I just realized that, due to our dying kitty situation, we missed the Melvins show. Damn! That was the night we put her down, so we completely forgot to rock. Please let me know how it was (lookin' at you, Mr. J. Cooley) 'cause I so wanted to go. I've seen them a few times, but not with the new four-piece lineup.

For today's fun, have a look at Iggy Pop's tour rider, courtesy The Smoking Gun.

Wednesday, October 04, 2006

Goth-rock-jam-punk-pop-Anglo-Americana: Last night at HG.

Made it out to Higher Ground last night. Saw most of the stuff happening in the big room; Zac Clark and headliners Gomez.

Thoughts: Zac is really poppy. I wonder what will happen when he gets older and that boyishly adenoidal singing style is no longer appropriate? It was a solidly played set, but a little on the schmaltzy side. That's one man's opinion, anyway.

Gomez sound very good live, but bore me to death. They're dipping further into the American jam bag than ever before; maybe they should just renounce the UK and move here. I hear they've got one of Phish's managers behind 'em now, so it could all come together nicely.

After that, I checked out a little bit of the Static Age show next door. By the time I made it over, the opening bands were done, so no report there.

There weren't many attendees, and this surprised me. Especially considering it was an all-ages, CD release party for a nationally known band. Maybe the kids are into skiffle these days.

SA were OK at best. Those dudes (and gal) need to lay off the flanger pedals for a while. Their tunes lose a lot of punch and clarity with all the effects gunking 'em up. That sound worked for The Cure on Disintegration, 'cause the music is slower and more subdued. But when you're strumming big chords behind disco-punk beats, things can get rather muddy.

Let's all just move on from the '80s now, shall we? I mean, until you can cover XTC or Tears for Fears note-for-note, you haven't fully absorbed the lessons of that fucked-up little decade. And why do people resurrect the pseudo-goth stuff all the time? Why is no one clamoring for Billy Ocean? Or Taylor Dayne?

Ah, forget it. I've asked these silly questions before.

Tuesday, September 26, 2006

Scumdogs invade South Burlington.

Gwar1
Might want to get that checked out, dude...

Holy shit. We're all in for it now.

Wednesday, September 20, 2006

Ken gets 'Spread.

Jb5_1

Intrepid Seven Days reporter Ken Picard took one for the team and went to see the Widespread Panic show at Memorial Auditorium last night. As he's been known to enjoy himself a little WP, I asked him to write about his experience. Here's what he had to say:

Widespread Panic: Tuesday, September 19 @ Memorial Auditorium, Burlington:

It’s been, oh, a good decade or so since I last saw a Widespread Panic show — at the Back Yard in Austin, Texas, with a noggin full of brownies — and admittedly, I had my doubts. Guitarist Michael Houser has long since moved on to the great noodle session in the sky, and Casey Rea’s lamentably spot-on review last week of the new disc, Earth to America, more or less tore the band a new jam hole. Worse, WSP was booked into one of my least favorite venues, Memorial Auditorium, which has all the acoustical appeal of hollering into an empty paint can.

Then again, like lobsters and sex shows, Widespread Panic is always better live, and this one was no exception — even without the help of Duncan Hines. Reportedly, last night’s performance was only the fourth outing with the band for former Dead/Aquarium Rescue Unit guitarist Jimmy Herring, and he didn’t disappoint. It took him the better part of the first set to start flexing his muscles, but after the set break, the gymnasium smelled like Otto’s jacket and the energy level ratcheted up several notches.

I doubt the show sold out — it was a school night, after all — but it was comfortably warm in the house, with plenty of dancing space. Sadly, I missed the “Travelin’ Light” encore. But hey, my girlfriend was back in town and she’s much easier on the eyes than Dave Schools. Someone should tell him to lay off the Ho-Ho's.
 

Set list compliments of www.everydaycompanion.com

1: Send Your Mind, Little Lily, Ride Me High > I’m Not Alone > Better Off, Crazy, Down, Tortured Artist > Henry Parsons Died
2: Good People, Heroes, Casa Del Grillo, Weight of the World > Mercy> Drums > Hatfield > Goin’ Out West > Chainsaw City

Encore: Time Waits > Travelin’ Light

So there you have it. A nice counter to last week's rather brutal CD review.

PS: Stay tuned for the unveiling of my first podcast, "The Contrarian's Corner," this Friday!

Tuesday, September 12, 2006

Deerhoof!

Deerhoof

A few weeks ago, the folks at Higher Ground asked me about Deerhoof. I said, "Hell yeah!" but wasn't sure if they took my enthusiasm to heart. Turns out they did. So mark those calendars for 11/01/06.

Also on the bill are Fiery Furnaces, who I go back and forth on. Mostly forth.

Anyway, it's great news. Everybody should plan on getting rocked in an unconventional fashion.

Check it:

Deerhoof — "Spy on You"

That tune isn't the best example of the band's punky weirdness, but it sure does crack me up.

Read more of my Deerhoof blathering here.

Friday, September 01, 2006

Untruth in advertising.

436279763_l_4  

Mia Matsumiya of Kayo Dot.

In this week's column, I mentioned putting up a couple of tracks by Kayo Dot and Christina Carter. Unfortunately, the stuff won't upload.

Perhaps KD are just too epic for the internets. Well, you're gonna have to trust me when I say they're awesome. Witness their wizardry tonight at 242 Main.

Carter performs at the Green Door Studios on Sunday. It'll no doubt be an interesting performance.

In other news, I've been busy making music. Really good music, actually. I'm beyond psyched, and anyone who knows me can tell you how rare that is. In addition to working on my new project, this weekend I have to master a record by a freaky talent straight outta Indiana.

Today at 1 p.m. I talk to Mr. Melvins. Had a chance to do a Flaming Lips phoner, but the turnaround time was too tight. And, since Wayne Coyne no doubt reads this blog, we'd likely have gotten into a fight. Or maybe he'd have suckered me into his cutesy-robot cult.

I'm still gonna go to the show.

Friday, August 25, 2006

Last Night.

Went to see Unlikely Cowboy and Carrigan last night at Metronome. Missed Resonator; maybe next time.

It was a fun show, great to see my old friends and ex-bandmates. UC were cool in an urban country kind of way. The coolest part was their spot-on cover of Led Zeppelin's "Black Dog. I've heard too many shitty Zep covers, so it was fun to see it done right.

Carrigan played with special guest ex-members Daryl Rabidoux and Jeb Interlandi. No offense to the two-piece, but they truly sound the best with those two on board.

Unfortunately, I didn't make the post-show party. We didn't leave the club 'til after 2 a.m., and I had to be fresh to write that Saget piece. Which I did.

Can't decide whether or not to go to Montreal to attend the Osheaga Festival next weekend. It'd be kind of cool, but I know I'll just end up spending a crapload of money, even though the tickets are taken care of. And it would also mean I'd totally miss Foreigner at the fair. I think it's funny that Jason Bonham is now playing drums for them. And they've got a new singer, too. You can hear him squealing away on some of their classics here. So you're all going, right?

I'm gonna lay low this weekend and work on more music.

Next week: Kayo Dot at 242 on 9.1 and Christina Carter of Charalambides at Green Door Studios on 9.3. More info on those shows in Wednesday's issue, and future posts.

Thursday, July 27, 2006

Tonight.

Pic4
Help! "Wonder Showzen" has come to life!!!

There's a freaky-deeky show at Metronome this evening called Revue Nu(e).

Here's what's on deck:

Lee Anderson's psych-blues band Cccome? will make you, um....

Joe Adler and Johnnie Day drift cosmically with Electric Halo. Expect a ton of guests.

Are you a giant puppet enthusiast? Then you may dig Eagle Ager.

My favorite nerds/bullies Activists/Dictators will rob you of your virgin soul. It's OK — they'll give it back at the end of the night. But I do recommend dry cleaning.

I'll be there. I'm gonna try not to drink; tomorrow I begin recording the whispered-about "Hank & Dad" project. I can't reveal any more at this juncture, except to say that quality absinthe and cheap hip-hop beats are a part of the equation.

Tuesday, July 18, 2006

Rock Opera tonite.

Steve Tremblay of Cave Bees is playing his epic song cycle "Famous Alligator" tonight at 1/2 Lounge. Chances are I'll be at Higher Ground for Konono no. 1, but it's a tough call. The fact that I'm nearly broke will likely be a factor in my decision. Drinks at Half are kinda pricey.

Here's more info, straight from the horse's mouth:

Hey everybody,
please come down to the AIR CONDITIONED 1/2 bar on
Tuesday to see Steve play his rock opera, FAMOUS
ALLIGATOR in its entirety.

There will be booklets available containing all the
pertinent information (character descriptions, lyrics,
which character is singing what), so you can read
along and find out what this rock opera is all about.

Fans of the CAVE BEES will recognize about half of the
songs from the rock opera, as they make up about 3/4
of the CAVE BEES set.

Famous Alligator is written in 3 acts, and between
acts there will be intermission entertainment provided
by MORTAL WOUND AND THE BOBOS, Chris Beneke's one-man
garage band.

This gig was only listed in the paper as MORTAL WOUND
AND THE BOBOS, so I'd appreciate it if you'd all
forward this along to all the local rock supporters to
get the word out.(thanks)

Come on down, 7/18 Tuesday night 9pm, to the 1/2
lounge at 136 1/2 Church st., Burlington.

yours in rock,
Steve

Friday, June 09, 2006

Couldn't get in.

We went down to the Jazz Guys show. They were holding people at the door, due to capacity. It was raining. I didn't feel like pulling the "Mr. Important" card with the bouncers. We left.

Oh, well.

Occasionally I wonder what would happen if I just stopped. Probably nothing.

Monday, May 29, 2006

Funtimes show.

Yes, the Pants show was amazing. Yes, you should be sorry if you missed it. Yes, they were as good as I remember. Maybe better.

Cheers to everyone who helped make Saturday one of the finest local rock shows ever. Especially to The Pants themselves. Pistol, Hutch, Tom and Neil: you make lovin' fun.

That said, I think I need to call some old, non-Burlingtonian friends. We could maybe talk about stuff besides music. Lord knows, I could benefit from the different perspective.
It sucks to be surrounded by people but feeling lonely. That's my B-town conundrum. Thank God for Brooke; the sanest, most ethical and supportive person on earth!

Wednesday, April 12, 2006

Discovering Jazz.