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Wednesday, November 11, 2009

New Music Blog Alert! See Ya in the Pit

This just in from our old pal, Brad Barratt:

Brad Barratt by Jordan SilvermanBarratt, a.k.a. "the Humble Janitor," has recently launched a new music blog called See Ya in the Pit. The blog runs in tandem — sort of — with his weekly WRUV radio show, "Janitors From Mars," which airs Saturday nights at 10 p.m.

As you may remember from a story I wrote about Brad a few months ago, he's a hardcore, punk and ska aficionado. And as evidenced by his impeccable taste — and now, his informed bloggerly musings — dude really knows his stuff. Oh, and did I mention Brad is deaf?

Welcome to the blogosphere, Brad!




Tuesday, November 10, 2009

Mimicking Videos

Tomrrow's paper features an almost unhealthy amount of love for Friday's Blind Pilot show at the HG Showcase Lounge. What can I say? I'm excited. In addition to running an interview with BP co-founder/drummer Ryan Dobrowski, I decided to lead my column with a bit about one of the opening acts, Laura Viers and the Hall of Flames. You may remember them as the band who opened for — and by more than a few accounts, upstaged — The Decemberists at the Flynn in September.

Anyway, in my excitement about those two groups, I fear I may have overlooked the other supporting act, Portland, Oregon's Mimicking Birds. That, it appears, was a mistake.

Unfortunately, I couldn't find any live footage high quality enough to be worth your time, so the attached vid is one of those weird "unofficial" music videos making the rounds on YouTube — presumably made by folks with iMovie and way too much time on their hands. But the song is great. And if you're feeling spacey and/or really high, the "visuals" are actually kind of cool. Enjoy.



Thursday, November 05, 2009

Dammit!

Just a couple of notes to pass along about this weekend's live music shenanigans that didn't make this week's print edition.

First up, for some reason tonight's shows at Metronome and Nectar's were omitted from the paper. Not sure why, cuz I distinctly recall entering them into the system and thinking, "Oooh. Cool local show at Nectar's!" and "Hey! Local support for a big regional band!" Effin' technology.

Anyway, Nectar's plays host to three of my personal local favorites this evening: The Vacant Lots, Lendway and Barbacoa. Show starts at 9 p.m. Meanwhile, upstairs at the 'Nome, we have electro-rock outfit The Indobox and local jam torchbearers Greyspoke. Rock and/or roll.

Next up is a show that wasn't listed because no one told me it was happening until after deadline. Still, it should be a good one, and it's happening in one of the more interesting venues in town, Muddy Waters. Saturday night local ska-punk hooligans Husbands AKA take the stage with The Flood (aka Patrick Brownson) and Boston's You Can Be Wesley, who friggin' rock (and also recorded their last album with our old pal Jeremy from Pretty & Nice). Here's a vid from Wesley, whom apparently, you can be. Oh, and this show is free.




Wednesday, November 04, 2009

The Jazz Guys: They Rock, You Decide

A couple of a weeks ago, Burlington's crown princes of pop, The Jazz Guys, took the local interwebs community by storm with a great cover and video of "Single Ladies," the recent chart scorcher by pop diva Beyoncé. If you haven't seen it yet — or simply wish to relive the glory — here it is again.

Anyway, as I mentioned in my SoundBites column two weeks ago, they are itchin' to get back into the studio and do it all again. The only hitch: they need your help to figure out which song they should lampoon next. Decisions, decisions.

Below is a list of five songs the band is currently considering. Take a look, cast your vote and in a couple of weeks, The JGs promise to rock our worlds yet again with another funny tune — and maybe a copyright infringement lawsuit.

 


Monday, October 26, 2009

Of Puppies and Death Metal

This might just qualify as the strangest — and perhaps coolest — bit of news I have ever received.

Apparently, every year around Halloween, the employees of Burton host a "Howl-O-Ween Doggie Costume Contest" to benefit their Chill youth program. And this year they have enlisted the help of some celebrity judges.

No, no. Not me. Not even a real celebrity like Tom Messner. This year's adjudicators of cute and cuddly are — are you ready? — GWAR.

Yes, that GWAR. Gwar_

The contest, which takes place tomorrow (Tuesday) at the factory at 2 p.m., is not open to the public to enter. But since it happens in the lobby, right next to the store, it is, for all intents and purposes, open to anyone who wants to watch.



Bird Droppings

I was kinda laid up this weekend, fighting off the dying remains of a head and chest cold that sidelined me earlier in the week. Whilst spending Saturday night on the couch in my pajamas, hot toddy and dog by my side, I happened to catch some of Andrew Bird performing on PBS' Austin City Limits. In a word, whoa.

Now, I don't know that I really buy into "the healing power of song" or other similarly new age-y remedies. Give me a bottle of NyQuil any day. That said, Bird's TV performance got me really excited for his show at Higher Ground tonight — and in particular for opening act St. Vincent, who also appeared on the broadcast — and may just have served as the lift I needed to put that bit of nastiness behind me. I awoke Sunday feeling better than I had in days. Of course, that also may have had something to do with aforementioned hot toddies and NyQuil. Whatever.

Anyway, here's a recent clip of Bird performing with St. Vincent. Hope it whets your, um, whistle.




Wednesday, October 21, 2009

My Dearest Darling, "Decay"

This just in: a new track from My Dearest Darling, "Decay." MDD — now boasting Villanelles' Zane Gunderson — have been MIA for the last year or so while finishing up a new 8-song disc. Expect the new disc to drop this month. In the meantime, they'll be rocking Higher Ground tomorrow night with White Rabbits and Glass Ghost.

Tuesday, October 20, 2009

Portugal. The Show.

So, I had hoped to unleash the second installment of my still as yet unnamed podcast series today, this time featuring Vermont native Sarah Cronin from Drug Rug. The idea was to do a quick Q&A about the band and then spin a couple of tunes from their excellent new album, Paint the Fence Invisible. Sounds pretty sweet, right? Right.

However, Drug Rug are increasingly becoming kind of a big deal. As such, our schedules never quite lined up. We had to reschedule several times, the last time around because the band was slated — are you ready? — to tape a Daytrotter session when we were supposed to talk. If my humble little podcast had to be bumped, at least it was bumped in style. C'est la vie.


Anyway, tonight Drug Rug is playing Higher Ground with Portugal. The Man and Hockey, who are both pretty rad. Here's a vid from a recent DR show in Cleveland. No, not as cool as podcast. But cool nonetheless.

And here's a new-ish vid from the aforementioned radness that is Portugal. The Man. Enjoy!

Wednesday, October 14, 2009

Farm Is Pretty Fuckin' Good

This Just In: I love Farm.

You're shocked, right? Eh, maybe not so much at this point. Anyhoo …

Here are two tracks that Farm's Ben Maddox recently sent my way from the band's ongoing recording sessions. Apparently, they have about twenty songs in the works right now, with another ten or so on the way. Do I smell a double album in the works? Cuz that would be rad.

I should point out that these songs are both works in progress. Still, they seriously whet my appetite for more new material from a consistently excellent and sonically provocative local band. Enjoy!

Monkey vs. Demon


River to the Ocean

Thursday, October 08, 2009

The Jazz Guys Do Beyoncé

Um, her music, that is. This is rad.


Tuesday, October 06, 2009

Little Boy Blues Rawk

The week-long multimedia purge continues with this cool cut, "Little Boy." The track comes to us courtesy of our very own Fatal Flaws and is the result of an increasingly intriguing collaboration with Montréal's the Broken Jugs. Me likey.

Oh, and speaking of multimedia fun, if you've got time to kill and want to exercise your brain muscles, check out what our old pal Casey Rae-Hunter has been up to this week. This is a link to the live streaming video from the Future of Music Policy Summit happening right this very second. Trust me, it's much more entertaining than it sounds, especially when the FMC gets all "Obama Death Panel" on stuffy industry dudes like they did yesterday with a clearly overmatched Steve Marks from the RIAA. Good times!

Monday, October 05, 2009

Black Magic Dance

So, I keep writing about all these vids and MP3s that you kind folks keep sending my way, and then I go and disappear from the blogosphere for a week. Oops! Sorry ’bout that. You'll see why on Wednesday, but it's been a rather hectic week here at your friendly neighborhood alt-weekly. Whatever. No excuses.

Anyway, I'm gonna unload everything I've got on you this week, beginning with this crazy ass music video entitled "Black Magic Dance." It comes to us from the star of last week's SoundBites column, the one, the only, CrowfeatheR. It's really, um … jeez, I honestly don't know what to say about this one, so I'm just gonna throw it out there and open the floor for discussion. Enjoy.


Tuesday, September 29, 2009

Eu Amo MoMo

Without question, compiling club listings every week is the worst part of my job. It is also arguably the most important. Though unendingly — and at times unbearably — tedious to cull, club listings provide the foundation for the entire music section. And by poring over them each week, I get a comprehensive overview of the upcoming week's feel, which helps in deciding how the rest of the section should play out.

Over time, you start to see fairly predictable patterns. Club listings are kind of like fractals in that way. Spend enough time with them and anomalies within the pattern will jump out at you. For example, every couple of months you'll see a band play what I like to call the "Bee's Knees Triangle." This is a touring route most often used by savvy out-of-town bands that typically consists of the Bee's Knees in Morrisville (duh), Montpelier's Langdon Street Café, and either Radio Bean or the Monkey House — and sometimes both.

When I see a band is entering the BK Triangle, I almost always make a note to check them out. One, the booking folks at each of the aforementioned venues are exceptionally good at what they do. So if they've all agreed that a group is good enough to book, that says a lot. And two, any band that has figured out how to make a trip to Northern VT worth their time by hitting up each of those venues usually has their act together. That doesn't always equate to good music. But more often than not, it does.

Such is the case with Rio de Janeiro-based psych-folk/Tropicália outfit MoMo, who are playing at LSC (Friday) the Bean (Saturday) and, to complete the trifecta, the Bee's Knees (Sunday). I'm actually spotlighting the band in this week's paper, and I mention them in SoundBites as well. The double coverage thing (triple if you count this post) is something I generally shy away from unless I'm really, really excited about a band. Guess what? I'm really, really excited about this band.

Here's a video from a recent live performance. The song is called "Preciso Ser Pedra" — rough translation "I Need To Be Stoned" — and is the opening track from their mindblowing new album Buscador — which, for a limited time, you can download for free on their website. Enjoy!


Tuesday, September 22, 2009

Lions and Tigers and Bankruptcy, Oh My!

There must be something in the (now officially … sigh) fall air, because you folks have been flooding me with videos and MP3s to post of late. Thanks for that. And please, keep 'em coming!

Today's submission comes to us from Raph Worrick (the Dirtminers) and his nifty side project Plastic Billionaires. The song is a version of Brian Eno's "The Fat Lady of Limbourg," originally released on his 1974 record Taking Tiger Mountain and reimagined on the Billionaires cheekily titled 2009 effort, Bankrupting Tiger Mountain, which you can download via the link to their website above. Enjoy!

The Fat Lady of Limbourg from Plastic Billionaires on Vimeo.

Thursday, September 17, 2009

Villanelles Play on Rooftop!

OK, Villanelles are not playing on any rooftops that I know of. However, the increasingly excellent local indie outfit is opening for Grammy-nominated rockers Plain White T's tonight at the Higher Ground Showcase Lounge. As regular readers know, I love it when local folks get the nod to open for bigger bands at the area's marquee juke joint. Can't happen enough, in my not-so humble opinion. Anyway, they will also be unveiling a new quickie EP, leading up to a full-length release at some point in the (relatively) near future.

You can take a listen to those songs below. But please don't be a jerk and rip them. If you dig the tunes — and I think you will — head over to HG and support good local music.

"She Found Someone":



"Bedbug":

Wednesday, September 16, 2009

Turning Japanese

So, Yo La Tengo played last night at Higher Ground. And by the look of it, most of you were there. This of course spares me from having to chew you out for bitching about the perceived dearth of indie music at the area's marquee juke joint and then not showing up when they deliver the goods. So, um … gold star for you!

For those who didn't go, Yo la Tengo were … well, they were Yo La Fucking Tengo. How do you think they were? There is a reason those guys (and gal) are legends. They rocked. Hard.

But for me — and several bewildered folks I spoke with during and after the show — the night belonged to Yura Yura Teikoku, a Tokyo-based psych-rock trio that opened the show. Sweet holy hell. They might be my new favorite band. I even bought a CD at the show, which I rarely do — mostly because I typically already have CDs sent to me from bands playing shows at HG. And also 'cuz I'm cheap.

This is a terrible — and borderline offensive — description of their sound, but the thought that ran through my mind during their set was, "if the Vacant Lots and the Fatal Flaws had an androgynous Japanese baby, he would probably start a band like YYT." Like I said, terrible description. But yesterday was a crazy long and exhausting day and that's what I got. Deal.

Anyway, as my girlfriend put it, "This might be the most interesting band I've ever seen." I'm not so sure I can disagree with Plus One's admittedly hyperbolic assessment. They had me from moshi moshi, delivering a blistering set of sweetly cacophonous psych and filthy ass garage rock. Plus, I couldn't understand a damn thing they were singing about, since no one in the band speaks more than three words of English. But the language barrier somehow made the experience even better. YYT truly speaks the "international language." Rock.

Here's a vid from a show last year at the Music Hall of Williamsburg. It doesn't quite capture the thrill of seeing them live. But it's a decent appetizer — click on the link to their MySpace page above to get a cleaner sampling of their tunes.

If you have the chance, I'm officially requiring you see Yura Yura Teikoku in person. You won't regret it. (NYC readers: they're playing this Friday at MH of W.)



Monday, September 14, 2009

Those Are People Who Died

I just heard that Jim Carroll died on Friday of a heart attack. Just thinking about him makes me think of New York City — I discovered The Basketball Diaries shortly after I moved there. I sat across from him on the subway once, too shy to say hello but not shy enough to not stare. Another time I saw him perform at Central Park SummerStage, opening for Richard Hell. He sang a few songs, told a bunch of stories and read some poems, including this one that stuck with me called "8 Fragments for Kurt Cobain."

1/
Genius is not a generous thing
In return it charges more interest than any amount of royalties can cover
And it resents fame
With bitter vengeance

Pills and powders only placate it awhile
Then it puts you in a place where the planet's poles reverse
Where the currents of electricity shift

Your body becomes a magnet and pulls to it despair and rotten teeth,
Cheese whiz and guns

Whose triggers are shaped tenderly into a false lust
In timeless illusion

2/
The guitar claws kept tightening, I guess on your heart stem.
The loops of feedback and distortion, threaded right thru
Lucifer's wisdom teeth, and never stopped their reverberating
In your mind

And from the stage
All the faces out front seemed so hungry
With an unbearably wholesome misunderstanding

From where they sat, you seemed so far up there
High and live and diving

And instead you were swamp crawling
Down, deeper
Until you tasted the Earth's own blood
And chatted with the Buzzing-eyed insects that heroin breeds

3/
You should have talked more with the monkey
He's always willing to negotiate
I'm still paying him off...
The greater the money and fame
The slower the pendulum of fortune swings

Your will could have sped it up...
But you left that in a plane
Because it wouldn't pass customs and immigration

4/
Here's synchronicity for you:

Your music's tape was inside my walkman
When my best friend from summer camp
Called with the news about you

I listened them...
It was all there!
Your music kept cutting deeper and deeper valleys of sound
Less and less light
Until you hit solid rock

The drill bit broke
And the valley became
A thin crevice, impassable in time,
As time itself stopped.

And the walls became cages of brilliant notes
Pressing in...
Pressure
That's how diamonds are made
And that's WHERE it sometimes all collapses
Down in on you

5/
Then I translated your muttered lyrics
And the phrases were curious:
Like "incognito libido"
And "Chalk Skin Bending"

The words kept getting smaller and smaller
Until
Separated from their music
Each letter spilled out into a cartridge
Which fit only in the barrel of a gun

6/
And you shoved the barrel in as far as possible
Because that's where the pain came from
That's where the demons were digging

The world outside was blank
Its every cause was just a continuation
Of another unsolved effect

7/
But Kurt...
Didn't the thought that you would never write another song
Another feverish line or riff
Make you think twice?
That's what I don't understand
Because it's kept me alive, above any wounds

8/
If only you hadn't swallowed yourself into a coma in Roma...
You could have gone to Florence
And looked in to the eyes of Bellini or Rafael's Portraits

Perhaps inside them
You could have found a threshold back to beauty's arms
Where it all began...

No matter that you felt betrayed by her

That is always the cost
As Frank said,
Of a young artist's remorseless passion

Which starts out as a kiss
And follows like a curse

-Jim Carroll, "8 Fragments For Kurt Cobain"

© 1994 Jim Carroll

In the Can

As an astute reader pointed out earlier today, I've been on a bit of a video roll lately. So let's keep that train a-rolling with this nugget, which is the funniest video I've seen in a quite a while — made even funnier for me, personally, as my lovely girlfriend (you may know her as Plus One) has a disturbing affinity for Bud Light Lime. Happy Monday.

PS- Said astute reader also passed along a nifty music video, which I will post shortly




Friday, September 11, 2009

All Apologies

This just in from Waylon Speed's Noah Crowther (ex-Chuch) and his Left Coast side-project, Giant Acapulco. Enjoy.


Tuesday, September 08, 2009

Angioplasty (Multi) Media

Well, hello there, Solid State. How ya been?

Don't know if you folks have been keeping tabs on our good friends over at Angioplasty Media, but Nick, Paddy and Co. have had a pretty interesting run of posts lately — in addition to picking up the tattered, screen-printed pieces of late, great booking co-op, Tick Tick, with a sparkling string of Monkey House shows.

Specifically, they've begun a series of live music videos shot at Paddy Reagan's studio. The sixth and latest installment — following a nifty turn from indie-folk fave Vandaveer — features our own alt-country rolling stone, Lowell Thompson.

Here's that vid, and when you have a few minutes to spare, head over to Angioplasty and peruse the others. They're pretty rad, if I do say so myself. Also, they've just posted a killer Rough Francis vid from the band's recent Higher Ground show with Mos Def, courtesy of RF bassist Steve Williams (My First Days on Junk, et al.) and his blog, FuckingRightHandMan. Enjoy.


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