Dancer Finds Legs in 'Diagnosis of a Faun'
I left the performance of Diagnosis of a Faun at Middlebury College last weekend exhilarated, but with lots of questions: what did it all add up to? Could it stand alone as a work of art without its inspiring back story? How much faun sex is too much faun sex?
I was sure about one thing: the human body is awesome.
The hour-long show opens with Gregg Mozgala, the faun, sprawled in a loincloth across a huge Astroturf-covered rock, surrounded by birch trees. He starts to move, stretching, writhing, getting acquainted with his body, as if he's just woken up and is amazed to have one at all.
Here’s where it’s necessary to know the back story: Mozgala has cerebral palsy. A New York City actor, he had never danced before the choreographer, Tamar Rogoff, noticed him in a production of Romeo and Juliet. She asked him to work with her. He told her she was crazy. She persisted. He caved. Two years of rehearsals and intensive bodywork later, they had Diagnosis of a Faun — and Mozgala’s disabled body had a nearly miraculous new range of movement.
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