Ever since its decommissioning 37
years ago, the Moran Plant has hulked lifelessly over the Burlington
waterfront. And while the abandoned coal-fired power plant won't be
revivified anytime soon, it's temporarily become a little
less of a gloomy presence.
Burlington artist Sarah O Donnell has
rigged up a light show at the top level of Moran's interior that blinks
colorfully from dusk to dawn, readily visible to anyone looking at
the southern exterior of the plant. "A Visible Night," as
O Donnell titles her work, will remain in operation through September
21.
She's hung 18 silk sheets along a row
of now-glassless windows just below Moran's roof line and above the
"City of Burlington" inscription on the brick facade. A
swiveling beam of light is powered via a 500-foot series of extension
cords plugged into the plant's only functioning socket far below
O Donnell's installation. Like a zoetrope, the light plays quickly
along the row of silks arranged as a color spectrum — from cool
blues and greens on the eastern end, to warm reds and purples along
the part closer to the lake.
Moran appears to be sending out
signals. Maybe it's trying to tell onlookers, "I'm not dead! See — I've got a pulse!"
O Donnell's aim, she explains, was "to
show Moran a little love."
It sure can use it. The interior fills
her with "foreboding," O Donnell confessed during a tour of
the ghostly interior on Tuesday evening. That's partly because of the
racoons — maybe rabid, maybe not — that lurk in the unlit space
where she installed her work. With its many unfenced pits that drop
to the lake or into some seemingly bottomless darkness, the place is
also just flat-out dangerous. Graffiti sprayed on crumbling
cement-block walls adds a sinister note. Plus, the plant is a toxic-waste site.
O Donnell, who moved to Vermont a year
ago after earning an MFA from Ohio State University, says she's done
a lot of artwork involving abandoned buildings, including a suite of
photos of a ghost town in Montana. But there's a special discomfort
to being in Moran, O Donnell adds.
It's not as though she hates the
place, however. In fact, O Donnell says she hopes her show helps
accelerate the move to redevelop Moran in some still-undecided
manner.
Standing on a shaky walkway at the top
level of the plant as darkness gathered, O Donnell said her
status as a newcomer to Burlington allowed her to focus on the
plant's architecture rather than on the politics that have produced
the decades-long stalemate on redevelopment. And although city
officials have been "amazing" in their assistance with the
project, O Donnell noted she "didn't want too much information"
from them about Moran. "I wanted to work from my gut."
The result puts a smile on a building
that's been glowering at Burlington for a long time. And O Donnell's
simple but ingenious project will likely have the same effect on all
who see it.
"A Visible Night" was made
possible with funding from Burlington City Arts. A show related to
O Donnell's piece can be seen on the second floor of the BCA Center
on Church Street.
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